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  <titleInfo>
    <title>Bottom</title>
    <subTitle>on Shakespeare</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Zukofsky, Louis</namePart>
    <namePart type="date">1904-1978</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Zukofsky, Celia Thaew.</namePart>
  </name>
  <name type="personal">
    <namePart>Perelman, Bob.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nhu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Hanover, N.H</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Wantage</placeTerm>
    </place>
    <publisher>Wesleyan University Press</publisher>
    <publisher>University Presses Marketing</publisher>
    <dateIssued>2002</dateIssued>
    <edition>Complete ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>712 p. ; 26 cm.</extent>
  </physicalDescription>
  <abstract>"Written between 1947 and 1960 and first published in 1963, the prose work in the first of these two volumes reflects Louis Zukofsky's ongoing obsession with Shakespeare - whose plays he had first seen performed in Yiddish - and is central to understanding Zukofsky's work. Tracing the themes of knowledge, love and physical vision ("the eyes have it") through both Shakespeare's plays and the poetry, Bottom: On Shakespeare is more than a compendious act of homage by one poet to another.</abstract>
  <abstract>In effect, it lays out Zukofsky's poetics and theory of knowledge on a grand scale, tracing his themes through the whole of Western culture, from the Classical Greeks through William Carlos Williams.".</abstract>
  <abstract>"The second volume of Bottom: On Shakespeare consists of Celia Thaew Zukofsky's spare operatic setting of Shakespeare's Pericles, Prince of Tyre, a play in which Zukofsky saw Shakespeare rewriting the classic plots and tropes of the Odyssey. The Wesleyan edition features a new foreword by Bob Perelman."--BOOK JACKET.</abstract>
  <note type="statement of responsibility">Louis Zukofsky and Celia Thaew Zukofsky ; foreword by Bob Perelman.</note>
  <note>Reference</note>
  <note>English</note>
  <subject>
    <name type="personal">
      <namePart>Shakespeare, William</namePart>
      <namePart type="date">1564-1616</namePart>
    </name>
    <topic>Themes, motives</topic>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Shakespeare, William</namePart>
      <namePart type="date">1564-1616</namePart>
    </name>
    <topic>Musical settings</topic>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Zukofsky, Celia</namePart>
    </name>
  </subject>
  <subject>
    <topic>English  Literature</topic>
  </subject>
  <classification authority="ddc" edition="21">820</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Works. Selections. 2000 ; v. 3/4</title>
    </titleInfo>
    <name type="personal">
      <namePart>Zukofsky, Louis</namePart>
      <namePart type="date">1904-1978</namePart>
    </name>
  </relatedItem>
  <identifier type="isbn">0819565482</identifier>
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    <recordCreationDate encoding="marc">020306</recordCreationDate>
    <recordChangeDate encoding="iso8601">20220122112304.0</recordChangeDate>
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